《家园》
其实在我们家园的景观中,一物、一人、一山、一水都能折射社会时代的背景。人类是渺小的又是伟大了,在浩渺的宇宙中,在自然的山水间,我们就像一颗尘土,我们必须依靠家园而活;而人类改造自然的力量又是巨大的,不断的改造利用自然,不断的向自然无节制的获取,周围都是我们自己制造的一些不自然的人造景观。先是开山,填河,接着造城,建工程,结果发现自己离自然反而更远了,于是我们只有造山,造河了。但是我们发现那些人造的冰冷景观都不是那么真实了,没有了精神,没有了文化,没有了传承。那门前一条清澈的小溪,村前的一棵大树,江边码头上的礁石却永远只能印在记忆的画面里了。
附注:作品采用大画幅4x5相机,黑白胶卷拍摄。拍摄时间2009-2013年 拍摄地点:长江三峡库区各县市,宜昌、重庆、宜宾、武汉、岳阳、安徽、云南等地。
Homeland
Actually in the landscapes of our homeland, one thing, a human being, a hill, a river can reflect the society background of our times. Human beings are small as well as great. In the boundless universe, among the natural mountains and rivers, we are just like a dust. We have to live in our homeland. And the strength of the human to change the nature is huge, which constantly make use of the nature and obtain form the nature. All around us are manmade landscapes. First, human beings dug mountains and filled in the rivers, then built the cities, but to find us further away from the nature, and those artificial things are not true, no spirit, no culture and no inherence from the past. Those things stood untouched by human beings, a small, an old tree, the dock by the river, are forever sealed in the pictures of our memory.

2010年4月, 湖北秭归。